| go back |
 |
| 1. My sketch showing the scale of the composition, the colours and details based on photographs and my memory of the scene |
|
| 2. The basic outline drawn with gutta on to white silk and partly painted areas with photographs for colour reference |
|
| 3. Background painting almost complete, only the sky to do |
 |
| 4. The silk painted background ready for stitching |
 |
| 5. Threads selected and the first section stretched tightly in an embroidery hoop |
 |
 |
 |
| 6. Starting with the top of the hillside, stitching and blending colours |
 |
| 7. The first section complete and the hoop removed |
|
| 8. Second section selected, stretched up and stitched |
 |
| 9. The second section completed |
|
| 10. A new area in the hoop with the rest of the silk background carefully rolled up out of the way |
 |
| 11. The full painted background showing the stitched areas on the left |
|
| 12. 2 close ups of the embroidered areas |
|
| 13. Showing the build up of foreground details |
|
| 14. Before and after |
 |
| 15. More than half completed |
 |
| 16. A close up of the mountain tops where direction of stitch helps with the sense of depth |
 |
 |
 |
 |
 |
 |
| 17. This series of pictures shows the build up of colour and detail of the hillside and foreground tree |
 |
| 18. Almost finished |
|
| 19. The flowers and foliage stitched into the roadside verge |
 |
| 20. The completed embroidery |
| go back |